Imagination Becomes Reality
One of the most gratifying results of my TEDTalk has been to see volunteers translate it into 33 languages -- from Armenian and Arabic to Turkish and Vietnamese -- and receive comments from people around the world about how my story is affecting their lives.
I heard from Pedro Perea in Madrid, a volunteer at a juvenile prison who brings translated TEDTalks to teenage inmates:
"They usually give up when confronting difficulties. But when your talk ended, they applauded, which means more than they just liked it: you can see a new energy in their faces, the energy of 'I can also do difficult things'. Their usual excuses for not trying to change themselves started to disappear ... they saw that persevering brings results."
I was stunned. I could never have imagined my story traveling across oceans and languages to reach this audience, translating to different circumstances, my story of being rejected by art schools yet going on to become an artist on my own.
There's just one thing I'd like to clarify. It sounds like I'm railing against the establishment, and their mistake of rejecting me.
But here's the thing -- I don't think they were wrong.
My works at that time were still unformed. It took ten more years before I found my voice as a sculptor, and another ten years before I figured out how to build my sculpture at the scale of buildings. Now, I'm working hard at the next challenge, to make sculpture gestures at the scale of the city.
When I started, my biggest challenge was learning to hear my inner voice -- finding a way to be quiet enough to notice and pay attention to my own ideas. I began writing and drawing with both my dominant and non-dominant hands. Somehow the non-dominant hand gave me access to ideas that would not have come to light, overpowered by my more conscious, skilled hand.
I try to imagine my goal as a reality, and then work backwards to figure out all the steps I need to take to make it so. -- Janet EchelmanOnce I began to hear and pay attention to my fledgling ideas, the biggest hurdle was to learn how to respect them. That was hard, because the real way to respect an idea is to invest the attention and work needed to develop it.
When developing an idea, I remind myself not to start with compromise. I envision the ideal manifestation of the idea, as if I had no limits in resources, materials, or permission. I've learned there's a cost to eliminating options too soon, as some might be more viable than they initially appear. For my sculpture She Changes in Porto, Portugal, I was originally prohibited from going over the street due to regulations, but my vision for the work required it to "float" above the roundabout. I decided to show both versions -- what I envisioned, and one according to the rules. Turns out my images were compelling enough for them to obtain a variance.
Echelman's sculpture She Changes in Porto, Portugal transformed the waterfront since its installation 8 years ago. Photo Enrique Diaz
In early design phases, I try to give my "inner critic" a hall pass to get lost for a while, and that goes for external critics as well. When ideas are young and vulnerable, criticism can be lethal.
I try to imagine my goal as a reality, and then work backwards to figure out all the steps I need to take to make it so. I look to the examples of people who accomplished unimaginable changes. Sometimes, I try to imagine how Gandhi must have felt as he set off on the Salt March, somehow believing his footsteps could change nations. He was able to hold the final vision in his mind, and understand each step needed to make it reality. We all have the potential to do that, but it's a skill that takes practice.
My dream is to create spaces which foster calm and contemplation, to transform hard-edged cities with billowing softness. How can I create this kind of change with something like sculpture, and how can I do it at the scale needed to hold its own city? This is what pushes me to "engineer a new art".
The Phoenix Civic Space is enlivened by Echelman's sculpture Her Secret is Patience. Photo Greater Phoenix CVB
In my TEDTalk "Taking Imagination Seriously," I shared the hurdles I had to overcome to bring my translucent sculptures to the scale of buildings, and my dream to bring them to the larger scale of the city. As I walked off the TED stage, the CEO and CTO of a leading design-software company, Autodesk, offered to help make that dream a reality. We've been working these past months on a new tool that is enabling me to do just that, in a place with great meaning to me ... and I'm looking forward to announcing the project early next year.
Now, I'm actually creating the art I imagined for cities. I write this from Amsterdam where this week we premiered a sculpture suspended from City Hall over their historic Amstel River, we're now constructing the mist and light sculpture described in my TEDTalk for the plaza in front of Philadelphia City Hall, and developing projects for cities around the globe.
This week, Echelman's sculpture premiered in Amsterdam suspended from City Hall over the famous Amstel River. Photo by AP/Peter Dejong
It's been a surprise that the work is still so hard. Perhaps that's because as soon as we figure something out, I push the boundary further, encountering new challenges yet again. Often, the struggle is to figure out what my next step should be, then finding all the little parts that must fit together in order to achieve that next step. I'm still constantly learning, pushing, and dreaming, and it never gets easy. But that's what keeps it fresh.
I recognize that it is through the engagement with my craft -- by recognizing an idea and drawing it out, building physical models, collaborating with experts, constructing the sculptures at urban scale, and maintaining them through years of weather and interaction with the public -- that a new art for cities has become real.
So as the year 2012 draws to a close, I recall the words of Picasso for my New Years Resolution: "When Inspiration finds me, she will find me at work."
Ideas are not set in stone. When exposed to thoughtful people, they morph and adapt into their most potent form. TEDWeekends will highlight some of today's most intriguing ideas and allow them to develop in real time through your voice! Tweet #TEDWeekends to share your perspective or email tedweekends@huffingtonpost.com to learn about future weekend's ideas to contribute as a writer.
end quote from:
Huffington Post (blog)
There are many ideas worth sharing which ennoble the human race in general. Now with Google Translate and other translating devices for people around the world, much more can be shared. Even though most of the translations aren't perfect you can still usually count on at least 50 to 75% of what you read translated as useful which often is enough to get the whole idea in a nutshell. So, TED I have found many amazing ideas at. For example, there were the four bladed minature helicopters which were easier for computer software to guide than the two bladed kind with the big blades on top and the little ones in behind. As I watched one, two three four miniature helicopters lift things and move things and even play music I was amazed what could actually be done with electric powered little helicopters, computer controlled (sometimes en masse) of one to about 40 of them building different things, playing music, double loop de loops, flying through hoops and other strange configurations etc. It is really amazing what can be done now, and often it isn't at all what you might expect. So, it makes me realize that the Singularity will be much more difficult to fathom than Computer graphics for human brains to grasp or touchscreens that don't need a physical keyboard, or in the 1980s a Computer mouse that was the first Graphic User Interface which saved hours in doing anything at all on a computer, which couldn't have happened without microchips or RAM becoming less expensive than it once was.
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