Why did they sink?
Likely
founded in the 7th century BC, Thonis-Heracleion and Canopus acted as
major trade hubs between ancient Egypt, Greece and the wider
Mediterranean, located as they were at a handy intersection. But
circumstances ultimately conspired against them, explains
Masson-Berghoff.
"Several natural
phenomenon caused these cities to sink by a maximum of (32 feet) below
the sea," she says, noting that a naturally rising sea level, subsidence
and earthquakes (which ultimately triggered tidal waves) all played a
hand.
Masson-Berghoff
explains they also learned a lot from the form taken by the religious
statues dug up from their watery grave. The statues were mainly of
Ptolemaic gods with human features that represented the same qualities
Egyptians prescribed to animals
"The
Greeks were not exactly into animal-shaped gods nor into animal
worship," she explains. "The Ptolemies, the Greco-Macedonian rulers of
Egypt after Alexander the Great, created a human-shaped version of a
very old Egyptian god, the sacred bull Osiris-Apis. In its 'Greek' form,
he became Serapis, combining the aspects and functions of major Greek
gods."
One
of the statues was that of a colossal head representing the god
Serapis, a Greek human-shaped version of the Egyptian god Osiris-Apis.
"We
will show in 'Sunken Cities' a variety of sculptures depicting these
Greco-Macedonian rulers as Egyptian Pharaohs, wearing Egyptian crowns
and acting as if they were Egyptian Pharaohs," the curator says.
It
was not vanity that prompted their change in style, but shrewd
political maneuvering. "The Ptolemies really understood that they needed
the support of the local priesthood and population, to legitimize their
rule," Masson-Berghoff argues. "To achieve this, they adopted Egyptian
beliefs, rituals and iconography."
The
largest item on display is a statue of Hapy, ironically the god of
flooding. Over 16-feet tall and weighing 12,000 pounds, the pink granite
sculpture dates from the fourth century BC, long before
Thonis-Heracleion disappeared into the sea.
Also
worth noting is what Goddio's team left on the seabed. The archeologist
discovered 69 ships: "the largest assemblage of boats ever discovered,"
Masson-Berghoff claims -- one of them likely used on a Grand Canal
which linked Canopus and Thonis-Heracleion, upon which a sacred barge
made of sycamore would travel during the Mysteries of Osiris, a
celebration of the god of the underworld.
All of this, however, is just a drop in the bucket.
"What
you need to know is that Franck excavated less than 5% of this site,"
the curator stresses. "They left a lot of material on the seabed."
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