Wednesday, September 26, 2018

For Heaven's Sake (1950)

My wife wanted to remember the name of a movie she saw as a child. So, I said,

"Describe the movie for me. So, after about 5 or 10 minutes of research on a computer I found it. It's called "For Heaven's Sake" which was made in 1950. I found another movie from 1926 by the same name but it appears to be a Harold Lloyd Comedy instead. She said the movie was about 2 angel children waiting to be born to Robert Cummings and his wife Joan Bennet on earth and Clifton Webb is also an angel who comes to earth to help I believe.


For Heaven's Sake (1950) - IMDb

https://www.imdb.com/title/tt0042472/
 Rating: 6.3/10 - ‎263 votes
For Heaven's Sake (1950) Joan Blondell and Clifton Webb in For Heaven's Sake (1950) Joan Bennett and Clifton Webb in For Heaven's Sake (1950) Clifton ...

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For Heaven's Sake (1950 film) - Wikipedia

https://en.wikipedia.org/wiki/For_Heaven%27s_Sake_(1950_film)
For Heaven's Sake is a 1950 fantasy film starring Clifton Webb as an angel trying to save the marriage of a couple played by Joan Bennett and Robert ...
Plot · ‎Release

For Heaven's Sake (1950 film)

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For Heaven's Sake
For Heaven's Sake 1950.jpg
Directed byGeorge Seaton
Produced byWilliam Perlberg
Written byGeorge Seaton
Based onMay We Come In?
1949 play

by Harry Segall
Dorothy Segall
StarringClifton Webb
Joan Bennett
Robert Cummings
Music byAlfred Newman
CinematographyLloyd Ahern
Edited byRobert L. Simpson
Distributed by20th Century Fox
Release date
  • December 15, 1950
Running time
92 minutes
CountryUnited States
LanguageEnglish
Box office$1.7 million (US rentals)[1][2]
For Heaven's Sake is a 1950 fantasy film starring Clifton Webb as an angel trying to save the marriage of a couple played by Joan Bennett and Robert Cummings. It was adapted from the play May We Come In? by Harry Segall.[3]

Plot[edit]

Angels Charles (Clifton Webb) and Arthur (Edmund Gwenn) try to convince a young cherub named Item (Gigi Perreau) to stop waiting to be born to Lydia (Joan Bennett) and Jeff Bolton (Robert Cummings). They are too busy acting in and directing plays respectively to start a family. They are also drifting apart, as Lydia wants to have a child, but Jeff convinces her to put their careers first.
When Item proves adamant, Charles decides (after seeing Gary Cooper in The Westerner) to help matters along by taking human form as "Slim" Charles, a supposedly rich Montanan, and bumping into the Boltons at the racetrack. Jeff sees a potential financial backer (an "angel" in theatrical slang) for his next play. He gets his playwright, Daphne Peters (Joan Blondell), to try to convince Charles to invest in the production. Since Charles actually doesn't have any money, this proves awkward. However, Jeff's usual backer, Tex Henry (Harry von Zell), shows up. Tex and Charles draw cards to see who will get to put up the money; Tex also makes a side bet of $10,000. Tex wins.
All this starts to corrupt Charles. He begins to enjoy human vices. When Daphne's former actor boyfriend, Tony Clark (Jack La Rue), shows up to reclaim his uninterested girlfriend, Charles punches him. Charles also starts drinking and playing modern music (on his harp), much to Arthur's disapproval.
Still, Charles has not completely forgotten his mission. He arranges a lavish party to celebrate the Boltons' eighth anniversary, but that does not work as planned. The Boltons decide to break up, and Charles is taken to the mental hospital when he admits that he is an angel. Luckily, when Lydia develops a sudden craving for peanuts, when she could never before even stand the smell of them, Jeff realizes that she is pregnant (with Item), and they reconcile.

Cast[edit]

Release[edit]

In his 1950 New York Times review, critic Bosley Crowther wrote that "Mr. Webb, need we say, is an actor with an urbane sense of the grotesque and a thoroughly cultivated talent for farcical mimicry. So his broad travesty of a rancher 'from God's country,' whose particular line is 'sheep' and whose weakness is wine and women, is very amusing to see. But we have to advise that the whimsies with which this picture begins and in which it dissolves at the climax are far on the sticky side — the sort of stuff that may seem poignant if you're a softie, but nauseous if you're not."[3]

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