'The Orville' beams into space between 'Trek' homage and spoof
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(CNN)As
the creator of "Family Guy" and "American Dad," Seth MacFarlane has
earned plenty of money for Fox, which probably bought him the right to
an indulgence like "The Orville." Still, this "Star Trek"-inspired show
feels caught between dimensions -- too earnest to work as a "Galaxy
Quest"-like spoof, too silly to play as a straight homage, and thus
unsatisfying as either.
The
timing also seems a little off, what with a new "Trek" incarnation
beaming out via CBS All Access later this month. For all that, "The
Orville" isn't a complete lost cause, with the third previewed episode
actually containing a clever sci-fi allegory, though it will take a lot
more of that to prevent the show from being jettisoned off DVR queues.
Set
400 years in the future, the series stars MacFarlane as Capt. Ed
Mercer, an officer in the interstellar fleet who finally gains the right
to command a starship populated by a crew of assorted humans and
aliens.
The
task is quickly (and tediously) complicated, however, when he's
assigned his ex-wife, Kelly Grayson (Adrianne Palicki), as his first
officer, after she broke his heart by cheating on him with an alien
species. A tiresome barrage of jokes about intergalactic infidelity
ensues.
After
that, well, "The Orville" (named after the ship) is a fairly episodic
litany of Trek-esque adventures, much of which is played with unexpected
earnestness. Indeed, the look of the show -- from the spaceships to the
makeup, the production design to the costumes -- is almost a slavish
recreation with modest wrinkles, to the point where one begins to wonder
how it all cleared legal.
Seemingly
mindful of his reputation, MacFarlane (who shares producer credit with,
among others, "Trek" alumnus Brannon Braga) keeps dashing off sarcastic
one-liners, but the comedy does at least as much to undermine the drama
as to establish the show as fully realized satire.
Frankly,
MacFarlane would have done himself a favor by casting a different
leading man. Then again, few of the other characters particularly pop,
among them Scott Grimes as Ed's wisecracking pal and Halston Sage as an
alien with extraordinary strength.
And
yet, that aforementioned third episode is a notable cut above, with an
extremely provocative plot: a crew member who's part of a single-gender,
all-male alien race gives birth to a baby, yielding consequences that
parallel real-world controversies about genetics and sexual identity.
It's the kind of science fiction at which "Star Trek" often excelled.
That
hour provides a ray of hope for the show, but it also underscores the
difficulty of consistently maintaining such an awkward construct.
Because while "The Orville" clearly demonstrates its fondness for a show
that promised to boldly go where others hadn't, it feels like
MacFarlane and his crew are taking a sizable step backwards.
"The Orville" premieres Sept. 10 at 8 p.m. on Fox.
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