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David Hockney's iPad Paintings Take Over Major Museum Exhibition
AP
|
By By MARTHA MENDOZA
Posted: 10/27/2013 10:26 am EDT | Updated: 10/28/2013 9:23 am EDT
SAN FRANCISCO (AP) — Happily hunched over his iPad,
Britain's most celebrated living artist David Hockney is pioneering in
the art world again, turning his index finger into a paintbrush that he
uses to swipe across a touch screen to create vibrant landscapes,
colorful forests and richly layered scenes.
"It's a very new medium," said Hockney. So new, in fact, he wasn't sure what he was creating until he began printing his digital images a few years ago. "I was pretty amazed by them actually," he said, laughing. "I'm still amazed."
A new exhibit of Hockney's work, including about 150 iPad images, opened Saturday in the de Young Museum in Golden Gate Park, just a short trip for Silicon Valley techies who created both the hardware and software for this 21st-century reinvention of finger-painting.
The show is billed as the museum's largest ever, filling two floors of the de Young with a survey of works from 1999 to present, mostly landscapes and portraits in an array of mediums: watercolor, charcoal and even video. But on a recent preview day, it was the iPad pieces, especially the 12-foot high majestic views of Yosemite National Park that drew gasps.
Already captured by famed photographer Ansel Adams, and prominent painters such as Thomas Hill and Albert Bierstadt, Hockney's iPad images of Yosemite's rocks, rivers and trees are both comfortingly familiar and entirely new.
In one wide open vista, scrubby, bright green pines sparkle in sunlight, backed by Bridalveil Fall tumbling lightly down a cliff side; the distinct granite crest of Half Dome looms in the background. In another, a heavy mist obscures stands of giant sequoias.
"He has such command of space, atmosphere and light," said Fine Arts Museums director Colin Bailey.
Other iPad images are overlaid, so viewers can see them as they were drawn, an animated beginning-to-end chronological loop. He tackles faces and flowers, and everyday objects: a human foot, scissors, an electric plug.
Some of the iPad drawings are displayed on digital screens, others, like the Yosemite works, were printed on six large panels. Hockey's technical assistants used large inkjet prints reproduce the images he created on his IPad.
Exhibiting iPad images by a prominent artist in a significant museum gives the medium a boost, said art historians, helping digital artwork gain legitimacy in the notoriously snobby art world where computer tablet art shows are rare and prices typically lower than comparable watercolors or oils.
"I'm grateful he's doing this because it opens people's mind to the technology in a new way," said Long Island University Art Historian Maureen Nappi, although she described Hockney's iPad work as "gimmicky."
Writing about the historic shift of drawing from prehistoric cave painting to digital tablets in this month's MIT journal "Leonardo," Nappi said that while iPad work is still novel, the physicality of painting and drawing have gone on for millennia.
"These gestures are as old as humans are," she said in an interview. "Go back to cave paintings, they're using finger movements to articulate creative expressions."
Hockney, 76, started drawing on his iPhone with his thumb about five years ago, shooting his works via email to dozens of friends at a time.
"People from the village come up and tease me: 'We hear you've started drawing on your telephone.' And I tell them, 'Well, no, actually, it's just that occasionally I speak on my sketch pad,'" he said.
When the iPad was announced, Hockney said he had one shipped immediately to his home in London, where he splits his time with Los Angeles.
He creates his work with an app built by former Apple software engineer Steve Sprang of Mountain View, Calif., called Brushes, which along with dozens of other programs like Touch Sketch, SketchBook Mobile and Bamboo Paper are being snapped up by artists, illustrators and graphic designers.
Together, the artists are developing new finger and stylus techniques, with Hockney's vanguard work offering innovative approaches.
"David Hockney is one of the living masters of oil painting, a nearly-600-year-old technology, and thus is well positioned to have thought long and hard about the advantages of painting with a digital device like the iPad," said Binghamton University Art Historian Kevin Hatch in New York.
Hatch said a "digital turn" in the art world began about 25 years ago, as the Internet gained popularity, and he said today most artists have adapted to using a device in some way as they create art.
A similar shift happened almost 100 years ago with the dawn of photography, he said, when innovations such as the small photograph cards and the stereoscope captured the art world's imagination.
And Hatch said there are some drawbacks to the shift to tablet art.
"A certain almost magical quality of oil paint, a tactile, tangible substance, is lost when a painting becomes, at heart, a piece of code, a set of invisible 1's and 0's," he said.
Hockney, who created 78 of the almost 400 pieces in the de Young show this year, isn't giving up painting, or drawing, or video, or tablets, any time soon. When asked where he sees the world of art going, he shrugged his broad shoulders and paused.
"I don't know where it's going, really, who does?" he said. "But art will be there."
David Hockney's iPad drawings go big, 12 feet big
"It's a very new medium," said Hockney. So new, in fact, he wasn't sure what he was creating until he began printing his digital images a few years ago. "I was pretty amazed by them actually," he said, laughing. "I'm still amazed."
A new exhibit of Hockney's work, including about 150 iPad images, opened Saturday in the de Young Museum in Golden Gate Park, just a short trip for Silicon Valley techies who created both the hardware and software for this 21st-century reinvention of finger-painting.
The show is billed as the museum's largest ever, filling two floors of the de Young with a survey of works from 1999 to present, mostly landscapes and portraits in an array of mediums: watercolor, charcoal and even video. But on a recent preview day, it was the iPad pieces, especially the 12-foot high majestic views of Yosemite National Park that drew gasps.
Already captured by famed photographer Ansel Adams, and prominent painters such as Thomas Hill and Albert Bierstadt, Hockney's iPad images of Yosemite's rocks, rivers and trees are both comfortingly familiar and entirely new.
In one wide open vista, scrubby, bright green pines sparkle in sunlight, backed by Bridalveil Fall tumbling lightly down a cliff side; the distinct granite crest of Half Dome looms in the background. In another, a heavy mist obscures stands of giant sequoias.
"He has such command of space, atmosphere and light," said Fine Arts Museums director Colin Bailey.
Other iPad images are overlaid, so viewers can see them as they were drawn, an animated beginning-to-end chronological loop. He tackles faces and flowers, and everyday objects: a human foot, scissors, an electric plug.
Some of the iPad drawings are displayed on digital screens, others, like the Yosemite works, were printed on six large panels. Hockey's technical assistants used large inkjet prints reproduce the images he created on his IPad.
Exhibiting iPad images by a prominent artist in a significant museum gives the medium a boost, said art historians, helping digital artwork gain legitimacy in the notoriously snobby art world where computer tablet art shows are rare and prices typically lower than comparable watercolors or oils.
"I'm grateful he's doing this because it opens people's mind to the technology in a new way," said Long Island University Art Historian Maureen Nappi, although she described Hockney's iPad work as "gimmicky."
Writing about the historic shift of drawing from prehistoric cave painting to digital tablets in this month's MIT journal "Leonardo," Nappi said that while iPad work is still novel, the physicality of painting and drawing have gone on for millennia.
"These gestures are as old as humans are," she said in an interview. "Go back to cave paintings, they're using finger movements to articulate creative expressions."
Hockney, 76, started drawing on his iPhone with his thumb about five years ago, shooting his works via email to dozens of friends at a time.
"People from the village come up and tease me: 'We hear you've started drawing on your telephone.' And I tell them, 'Well, no, actually, it's just that occasionally I speak on my sketch pad,'" he said.
When the iPad was announced, Hockney said he had one shipped immediately to his home in London, where he splits his time with Los Angeles.
He creates his work with an app built by former Apple software engineer Steve Sprang of Mountain View, Calif., called Brushes, which along with dozens of other programs like Touch Sketch, SketchBook Mobile and Bamboo Paper are being snapped up by artists, illustrators and graphic designers.
Together, the artists are developing new finger and stylus techniques, with Hockney's vanguard work offering innovative approaches.
"David Hockney is one of the living masters of oil painting, a nearly-600-year-old technology, and thus is well positioned to have thought long and hard about the advantages of painting with a digital device like the iPad," said Binghamton University Art Historian Kevin Hatch in New York.
Hatch said a "digital turn" in the art world began about 25 years ago, as the Internet gained popularity, and he said today most artists have adapted to using a device in some way as they create art.
A similar shift happened almost 100 years ago with the dawn of photography, he said, when innovations such as the small photograph cards and the stereoscope captured the art world's imagination.
And Hatch said there are some drawbacks to the shift to tablet art.
"A certain almost magical quality of oil paint, a tactile, tangible substance, is lost when a painting becomes, at heart, a piece of code, a set of invisible 1's and 0's," he said.
Hockney, who created 78 of the almost 400 pieces in the de Young show this year, isn't giving up painting, or drawing, or video, or tablets, any time soon. When asked where he sees the world of art going, he shrugged his broad shoulders and paused.
"I don't know where it's going, really, who does?" he said. "But art will be there."
David Hockney
1 of 13
end quote from:
His exhibition will be at the De Young Museum in San Francisco until:
January 20th 2014
end quote from:David Hockney's iPad drawings go big, 12 feet big
A
giant exhibit at San Francisco's DeYoung Museum highlights the
influential artist's foray into iPhone and iPad art, as well as films he
made using multiple digital cameras.
There are iPad drawings you look at on a screen, and there are iPad
drawings printed on sheets of 3x6-foot paper and mounted on a giant
wall. One might call the latter a David Hockney-style iPad drawing.
Hang five such works together and you have "Bigger Yosemite," a series of wonderfully vibrant drawings of Yosemite's rocks, trees, and waterfalls that each measures 9 feet wide by 12 feet high. The piece now hangs in San Francisco's De Young Museum as part of "David Hockney: A Bigger Exhibition," a comprehensive survey of more than 300 works made since 2002 by the influential British painter, stage designer, and photographer.
The exhibit, which runs through January 20 across two floors, highlights Hockney's ability to engage with, and master, a wide variety of tools and media. It includes watercolors, charcoals, simple pencil drawings, and oil paintings, but also encompasses 17 works made on an iPad and then printed out on paper, and 147 other iPad and iPhone drawings that rotate on seven LED displays.
"Hockney has always been keen to discover and explore new technologies as soon as they became available," says an audio tour for the exhibit. "In the early days of the photocopier, Canon would send him experimental cartridges just to see what he'd do with them. His fax collages conjured something inspired out of a seemingly dull piece of office equipment."
Hockney, 76, started making iPhone drawings with the Brushes app five years ago -- flowers, dogs, sunrises and sunsets, landscapes, portraits, self-portraits, and more. He said he was struck by the portability of this new digital sketchbook and the immediacy of being able to create a painting and e-mail it to friends within hours.
When the iPad first came out in 2010, Hockney immediately took to its larger canvas.
With "Bigger Yosemite," the canvas has gotten extra large. Hockney made two trips to Yosemite National Park to capture its spectacles in pixels, and works from his latter visit, in 2011, form "Bigger Yosemite," which has grabbed much attention since the DeYoung exhibit opened over the weekend.
Amazing mobile art, of course, is becoming increasingly common, from subtly shaded portraits made entirely on the iPad to remarkably enhanced photos that fall under the rubric of iPhoneography, an emerging art form that's catching the eyes and talents of iPhone-toting established and citizen artists worldwide.
Still, Hockney -- an influential contributor to the pop-art movement of the '60s who has spent decades working with oils on canvas -- might just be the most prominent touch-screen artist yet.
"You know sometimes I get so carried away, I wipe my fingers at the end thinking that I've got paint on them," Hockney said in 2010, when more than 200 of his images of plants and cut flowers created on the iPhone and iPad went on display in Paris.
Hockney is experimenting with moving digital images, as well. The DeYoung exhibit also includes "Cubist movies" he made using as many as 18 separate digital cameras, mounted on a grid, that record the action simultaneously to produce a film with as many as 18 perspectives. In making the movies, Hockney has addressed a challenge first taken up by Picasso: how to display multiple perspectives in one work of art.
"Friends tell me how a lot of things -- pop music, for instance -- are 'stuck,'" the artist said in a catalog for the show. "But the relentless march of new technology offers hope."
Leslie Katz Hang five such works together and you have "Bigger Yosemite," a series of wonderfully vibrant drawings of Yosemite's rocks, trees, and waterfalls that each measures 9 feet wide by 12 feet high. The piece now hangs in San Francisco's De Young Museum as part of "David Hockney: A Bigger Exhibition," a comprehensive survey of more than 300 works made since 2002 by the influential British painter, stage designer, and photographer.
The exhibit, which runs through January 20 across two floors, highlights Hockney's ability to engage with, and master, a wide variety of tools and media. It includes watercolors, charcoals, simple pencil drawings, and oil paintings, but also encompasses 17 works made on an iPad and then printed out on paper, and 147 other iPad and iPhone drawings that rotate on seven LED displays.
"Hockney has always been keen to discover and explore new technologies as soon as they became available," says an audio tour for the exhibit. "In the early days of the photocopier, Canon would send him experimental cartridges just to see what he'd do with them. His fax collages conjured something inspired out of a seemingly dull piece of office equipment."
Hockney, 76, started making iPhone drawings with the Brushes app five years ago -- flowers, dogs, sunrises and sunsets, landscapes, portraits, self-portraits, and more. He said he was struck by the portability of this new digital sketchbook and the immediacy of being able to create a painting and e-mail it to friends within hours.
When the iPad first came out in 2010, Hockney immediately took to its larger canvas.
With "Bigger Yosemite," the canvas has gotten extra large. Hockney made two trips to Yosemite National Park to capture its spectacles in pixels, and works from his latter visit, in 2011, form "Bigger Yosemite," which has grabbed much attention since the DeYoung exhibit opened over the weekend.
Amazing mobile art, of course, is becoming increasingly common, from subtly shaded portraits made entirely on the iPad to remarkably enhanced photos that fall under the rubric of iPhoneography, an emerging art form that's catching the eyes and talents of iPhone-toting established and citizen artists worldwide.
Still, Hockney -- an influential contributor to the pop-art movement of the '60s who has spent decades working with oils on canvas -- might just be the most prominent touch-screen artist yet.
"You know sometimes I get so carried away, I wipe my fingers at the end thinking that I've got paint on them," Hockney said in 2010, when more than 200 of his images of plants and cut flowers created on the iPhone and iPad went on display in Paris.
Hockney is experimenting with moving digital images, as well. The DeYoung exhibit also includes "Cubist movies" he made using as many as 18 separate digital cameras, mounted on a grid, that record the action simultaneously to produce a film with as many as 18 perspectives. In making the movies, Hockney has addressed a challenge first taken up by Picasso: how to display multiple perspectives in one work of art.
"Friends tell me how a lot of things -- pop music, for instance -- are 'stuck,'" the artist said in a catalog for the show. "But the relentless march of new technology offers hope."
Leslie
Katz, senior editor of CNET's Crave, covers gadgets, games, and myriad
other digital distractions. As a co-host of the now-retired CNET News
Daily Podcast, she was sometimes known to channel Terry Gross and still
uses her trained "podcast voice" to bully the speech recognition
software on automated customer service lines. E-mail Leslie.
David Hockney's iPad drawings go big, 12 feet big